![]() ![]() In both moments it is also remarkable to note the perceptual regimes called upon by the stalker: seeing, feeling. The awareness of this silence defining the border between spaces and signalling the arrivals verifies the view that “the experience of silence is essentially a space experience”. Both spaces, the Zone and the Room, contain a promise and an aspiration that has taken the protagonists on tedious journeys over great distances. ![]() ![]() You’ll see!” Stalker to his two companions, when entering the Zone, in Stalker 0:37:49 “How quiet it is! Do you feel it?” Stalker to his two companions, at the threshold of the Room, in Stalker (part 3) 0:21:28īoth of the two instances when Stalker says “How quiet it is!” happen at the border between two spatial realms: the entrance to the Zone and, respectively, the threshold to the Room. ( EXCERPTS from the thesis chapter “Architectural Phenomenography through Andrei Tarkovsky’s films”) “How quiet it is! This is the quietest place in the world. ![]()
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